We're not here right now. But if you leave a message with your name, number and time you called...
Catching Elephant is a theme by Andy Taylor
Farrokh Bulsara, best known as the incredible Freddie Mercury.
(Source: fredrobrijon)
Lay down your head
And show me if you like it
Lend me your ears
And read me like a book
This conversation
It strikes me
No need for words
It’s all understood
Lay down your head
And show me if you like it
Wondering if there is something
We did wrong
Nothing can stop me
From shaking
Why did we have to fire that gun
Lay down your head
And show me if you like it
Wondering if there is something
We did wrong
Nothing can stop me
From shaking
Why did we have to fire that gun
Why did we have to fire that gun
Oh why did we have to fire that gun
So I’m hanging out with a bunch of fellow word nerds on twitter tonight; wasting time with a silly hashtag #BadWeddingSongs, and it’s keeping me up way past my bedtime. The tag entries are pretty funny, but I’m trying to top @ThisIsAllHard’s “My Heart Belongs To Daddy”, which I find disturbingly funny.
For some reason, Prince’s “International Lover” pops into my mind. I look it up on YouTube because now I want to listen to it, but it’s not on YouTube. Understandably, Prince is notoriously protective of his property.
By now, the opening few lines of the song are playing in my head and it’s driving my crazy because I can’t find my “1999” CD. I can download the whole album from Amazon for six bucks, but I already have the LP and the CD.
So now I’ve completely forgotten about twitter and the hashtag game. All I can think of is the first few chords of the song and…
May I have this dance?
Darlin’, it appears 2 me
That U could use a date tonight
A body that’ll do U right
Tell me — Am I qualified?
Lords of Acid - “Am I Sexy”
Austin Powers:The Spy Who Shagged Me soundtrack
#SaturdaySexyPartyMusic
Dancing at the human mating call
Is dance something that’s an individual expression or is it part of a larger mating ritual system?
…and NO, the “Funky Chicken” does not count.
(Tom Stoppard, center, and the cast members of “Dark Side,” including Rufus Sewell, left, and Bill Nighy, right.)
By DAVE ITZKOFF
The 40th anniversary of the release of “The Dark Side of the Moon,” that best-selling Pink Floyd album, technically occurred earlier this month. But in the case of a seminal prog-rock record that deals with the nature of time (and the slowing-down thereof), we’ll forgive Tom Stoppard if his unique effort to celebrate this milestone doesn’t actually arrive until the summer.
Mr. Stoppard, the celebrated playwright of “Rosencrantz and Guildenstern Are Dead” and “The Coast of Utopia” and a screenwriter of “Shakespeare in Love,” among many other works, has written a new play for British radio that will mark the 40 years since “The Dark Side of the Moon” was released in March 1973, The Guardian reported. But this latest dramatic work is no simple narrative of how Roger Waters, David Gilmour and company spent several months at Abbey Road recording songs like “Money,” “Time” and “Breathe.” This one’s … a little weird.
Describing Mr. Stoppard’s radio play, called “Dark Side,” at its Web site, the BBC called it “a fantastical and psychedelic story based on themes from the seminal album” that incorporates “music from the album and a gripping story that takes listeners on a journey through their imaginations.” (So keep your black-light posters handy, apparently.)
Mr. Stoppard, a self-identified Pink Floyd fan, said in a statement that he had spent the past four decades contemplating this project but had “no idea for a long time what I would do.”
“Finally,” he continued, “I found some time and sat down and listened to the album for the thousandth time and picked up from the beginning and kept going.”
The BBC said that the cast of “Dark Side” will feature actors like Bill Nighy, Rufus Sewell and Iwan Rheon but did not describe their roles. Mr. Gilmour of Pink Floyd said he had read Mr. Stoppard’s play and “found it fascinating.”
Mr. Stoppard’s “Dark Side” will be broadcast on BBC radio in August. There was no immediate announcement of an American air date or whether the play syncs up with “The Wizard of Oz.”
the Doldrums cover of “Chase the Tear”
I found this video while swimming in a pain med fog after my recent surgery.
These guys are too strange!!!
“Drum Town” - The Yes/No People
The Yes/No People grew out of another act named Pookiesnackenburger, that was formed in the U.K. in the 1980s. Members Luke Cresswell and Steve McNicholas, are best known for their dance theatre performance pieces which became the worldwide sensation “Stomp!”